Edition of 3
5 x 4.5 x 7 inches
Wood, Dental stone, Red oxide, Museum Glass
About the artwork
Venus figurines are prehistoric depictions of female bodies, dating back to the Paleolithic period. Amidst the many different theories about the purpose and meaning behind Venus figurines, one interpretation that remains constant is that, they represent the idea of body autonomy. The exaggerated hips, thighs, and breasts of these figurines suggest that the female body was revered and celebrated; that women had some agency over their own bodies.
The sculptures of "Lineage" use the Fibonacci strategy to provide an important glimpse into the acts of care and nurture induced in body autonomy.
About the artist
Saviya Lopes is a visual artist, based in Vasai (Bassein), India. She graduated from Rachna Sansad AFAC, Mumbai and has participated in various group exhibitions in India and across the globe since 2015. She was a participating artist and later the Director at Clark House Initiative, Mumbai
Coming from the community of East Indian Catholics, she often works with her native history, through family archives and oral narratives; drawing upon activities like quilt making by her grandmother as manifestations of dissent. Her work deftly unpicks; reimagines history and reconsiders it for future generations. It never wavers in choosing a visual language to reinterpret what is lost. Her works really speak on a feminist key, intersectional, where subtlety, transparence, delicacy convey stories of violence, of heritage, colonialism. And so much more that there is to think from them.She is passionate about the role of women in relationship to labour and textile histories. Lopes’s artistic practice draws from experiences in the spaces she inhabits. She looks at the body as an active agent of societal protest and symbolic value. Her work shows interest in the inter- relation between body, language, culture and navigation of spaces.
Solo and group exhibitions include an exhibition at Clark House Initiative, Bombay(2016); Dakar Biennale (2016); Historica – Republican Aesthetics at IMMA, Ireland (2016); Stories My country told me, Asia Culture Centre, Gwangju Biennale (2016); Gondwana Series – An intervention at Centre Pompidou, Paris (2017); Working Practices, The Showroom, London (2018); The Crown Letter Project, Foundation Fiminco, Paris (2021);Bienalsur, Argentina (2021); “No More Ephemeral Bodies | Solo at Kathiwada City House, Mumbai. She has been twice invited to South Korea for Gwangju Biennale as a fellow to participate and has participated as a visiting speaker at the Asia Art Space, Network Asia, South Korea. She is currently on the curatorial team for the Kochi Students Biennale 2022.
