Every time I think of time and space, I find myself thinking more of the past. Time, like all good matter, leaves a trace, which I use as a timeline of the space between floating objects. With this series I was clear that the disparate objects should coalesce into a single space; neither retains their original form. Their abrupt coexistence in each other would create a wholly new timeline.

As a philosophy, the splicing and juxtaposition of diverse fragmentary images forms the core of my practice. However, superimposing them to create a tableau vastly improves my understanding of space. My process, image selection and output varies as my sensibility about ecology, human population, politics, sexuality, as well as my own mental state develops processes of photographs or things I have collected from.