Will Still Remain

The work "2+2=5" presents a direct engagement with Leonardo da Vinci’s iconic Vitruvian Man, which epitomises ideals of bodily perfection and symmetry rooted in classical proportions. This subversion serves as a commentary on societal expectations regarding body image and perfection, challenging the historical and patriarchal standards that have long dictated the "ideal" human form.

The title alludes to an Orwellian distortion of truth — a refusal to accept the status quo and a confrontation of imposed falsehoods. The text accompanying the image confronts systematic violence inflicted upon marginalised bodies by patriarchal systems. It is resolute in its resistance against this violence, asserting autonomy over one’s own body, intellect, and choices.The use of both English and Marathi in the text signifies a duality that could be read as a critique of colonial hierarchies and linguistic dominance. It acknowledges the complexities of voice and communication in a post-colonial context, where multiple identities and histories intersect.

Through a feminist lens, the asymmetrical depiction challenges the male gaze and traditional objectification of women in art and culture. The work also addresses the emotional labour women perform to have their voices heard, despite living in societies that claim to support freedom of speech.

The work serves as an act of resistance, using both visual and textual elements to confront patriarchal violence, reclaim bodily autonomy, and critique social hierarchies that confine women to stereotypical roles and images.